Harlem's Fashion Row Collaboration with Byron Lars, Krystal A. Phillips on HSN

Are you ready for "sweater weather"? I bought my warm-weather favorites from Harlem's Fashion Row in collaboration with HSN. I love that the size range goes up to 3X, so my fashion friends of all shapes can indulge in this one. Perrenial Ms. Fabulous favorite Byron Lars and designer Krystal A. Phillips are both featured in HSN's celebration of African-American fashion designers. Extra-enticing means you can grab their pieces at the HSN price point if the designers have previously been out of reach.

My color obsession for Fall 2024 has been deep fushia. The Harlem's Fashion Row HSN collaboration has abundant this color and other hues. I started with the oversized full Melton coat (top) from Kaphill NYC, which I threw on the first chilly day upstate while picking ugly apples off my tree. For a dressier evening-wear-friendly look, I wrapped in the luxurious brocade coat from Byron Lars and Sheila Gray.

I'm in love with the beautiful textures, like lace t-shirts and the rich prints of the sweaters and dresses of both designers. They elevate essential garment items to make them the statement piece for your seasonal wardrobe. I also can't wait to flaunt the faux leather long skirt as a flashy piece to pair with new boots.

While fashion insiders like me have been longtime fans of  Byron Lars, Sheila Gray, and designers promoted by Harlem's Fashion Row, I love that an affordable platform like HSN has invested in these brands to bring them to a much broader audience. It was a great move for everyone as the styles I loved were sold out quickly but, luckily, replenished swiftly. Grab them before they are really gone!

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NYFW: Malan Breton Spring 2025

 Leather for spring? I don't know why designers often offer it only in the fall. Malan Breton showed exquisitely tailored leather evening wear in ladylike pastel shades. The seaming and corseting details were incredibly flattering for any female form. Breton's Savile Row training showing itself. The theme of the collection was "Betrayal, Revenge & Hope". 

There were plenty of gowns in traditional evening wear fabrics, also in the sugary pink and rosy pearl greys, but also a pop of citric yellow. Of course, sophisticated black is an easy sell for customers every season.

In some cases, it was a LOT of dress, even for the professional models. A few struggled with the long tapered silhouettes or had to carry the enormous skirt down the runway. One model continually toppled over in her heels. If the pros are having a hard time, how are the rest of us mortals supposed to navigate such fabulousness?

Malan Breton always shows a glamorous collection that evokes old-school elegance that is increasingly lost in today's world of athleisure and streetwear. The Project Runway alum has also been an accomplished filmmaker as well. His autobiographical film "A Journey to Taiwan" was a moving tribute to his roots and creative process. He debuted "Je Suis Mona" a documentary featuring his muse/model and philanthropist Elton Ilirjani, winning the Trailblazer award at the NYC International Fashion Film Festival.

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LONDON: Lore of Loverboy Exhibit - Club to Catwalk Punk

I just returned from London, where I wondered what the state of punk fashion was today. At Somerset House, there was a fabulous exhibit by designer-in-residence Charles Jeffrey LOVERBOY. 

The designer's looks include fans like Tilda Swinton and Harry Styles. What makes his work classically British punk is the incorporation of traditional Tartans and a healthy dose of anarchy. What makes his work modern club fashion is the mix of surrealism and novelty motifs with streetwear. What makes LOVERBOY art are the pieces that double as sculptures, like the Wedgewood dragon helmet, repurposed trash dress, or my favorite banana shoes below.

The spirit of punk fashion started off as anti-establishment and involved mutilated, trashed clothing in many cases. Fashion collections from many a "club kid" turned "designer" often have little merit or endurance. Ten years into his thriving label and seeing Charles Jeffrey's workspace and process, the "club kid" persona should be the very least of his designer identity. Seeing the sketches, the pattern and draping, the official tartan registry certificate, and the thoughtfulness of his collaborations, the LOVERBOY works more like a classic couturier atelier than many contemporary labels.

For anyone who thinks the art in modern club fashion, or social media savvy designers is gone. They only need to see the Charles Jeffrey Loverboy collection to restore their faith.

The Lore of Loverboy exhibit runs until September 1, 2024.

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NYFW: Custo Barcelona Fall 2024

Forget quiet luxury. Custo Barcelona's Fall 2024 is all about maximalist style. I love Custo Barcelona's bright graphic prints every season. When the weather gets more relaxed and more parties are on the calendar, I love the sparkly texture color-blocked into the silhouettes in this collection. 

Fall 2024 had a mix of easy, relaxed bodies for those still in post-Covid comfort mode. Then, there are a few body-conscious lean dresses to show off the physiques of those who worked out the last few years. 

A few graphic, street art-inspired embellished prints would look great as an elevated pairing with jeans under a jacket. 

My favorite was the sparkly turquoise fringe pieces that lit up the runway. 

Beauty-wise, the models were kept casual and fresh. Why compete with the main show of the clothes?

Bring on the sun!

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NYFW: Zang Toi Fall 2024 Pays Tribute to His Brother See Luon

NYFW Fall 2024 was a season of deeply emotional collections. Last night, Designer Zang Toi's fashion show served as a celebration of life for his beloved brother, See Luon. A beautiful rendition of "Amazing Grace" was sung at the end of the runway. At the same time, the House of Toi family gathered on the runway with roses. Show guests and models were personally invited to pay tribute as well. You may have read my previous runway reports of Zang Toi shows and how they are loved by the photographer riser. One of the many reasons the House of Toi is devoted was the famous curried chicken sandwiches, often handmade by See Luon himself to nourish photographers who often waited hours to shoot the collection. 

Tonight's riser was a reunion of longtime press corps photographers, many of whom traveled to the city from far away to shoot this show specifically after skipping many other designers for NY Fashion Week. 

 The collection itself took inspiration from vintage Parisian glamour. Long fishtail gowns in velvet, luxurious brightly colored furs, sparkling jeweled details. The palette was a romantic black, red, hot pink, and rich orange. Motifs of roses were woven throughout in prints and embroidered appliques. The daytime looks had graphic prints with the same color palette and ladylike vintage silhouettes. Beauty-wise, deep red lipstick, and a red accent in the slicked-back hair was the season's look. 

For anyone who doubts that fashion design can be meaningful or therapeutic, just sampling Fall 2024 collections should answer that inquiry. I want to think that See Luon was watching the show from above, loving the gorgeous work that he supported and inspired, and saw a room full of people there to appreciate his contribution.

Photos by Mariana Leung

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NYFW: The Blonds FUEGO

The Blonds brought the heat to the Starrett Lehigh runway Saturday night. Their collection, FUEGO, was a tribute to Latin culture, the fiery, the strong, and the stylish figures who inspired them. Design-wise, this manifested itself into dimensional flame appliques in snake patterns and metallic leather and crystal-encrusted details. 

The Blonds as a label is not for day-to-day lifestyle wardrobes. They are one-of-a-kind statement pieces favored by the biggest entertainment icons like Beyonce, Lady Gaga, and Miley Cyrus. You need charisma (and some strong muscles) to carry off any of these larger-than-life looks. You need a hefty budget for the handmade pieces, but consider it an investment for your worldwide tour. 

If you were a nightlife fixture in the 1990s, this aesthetic would seem familiar as a muse. Legendary club divas like Diane Brille and drag queens were in the audience, as well as entertainers like Becky G.

The hair and makeup of course had to be on the same level. I watched the wigs, which were as sculptural as the clothing, being built up backstage. I have never seen winged eyeliner ready to take flight more than the models on this night.

Watching this runway, I felt nostalgic for a time in New York when going OUT was a production. Sure, a chill night at home is appealing, but I miss when the process of getting ready was as much fun as the destination. The Blonds will forever capture that era.

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