Did you
enjoy your Day of the Dead weekend? The
Metropolitan Museum of Art’s fall fashion exhibit, Death Becomes Her: A Centuryof Mourning Attire brings you a show of Victorian and Edwardian Gothic fashion.
In the 19th
and early 20th century, the etiquette of personal style for paying
tribute to the dead was dictated by strict fashion rules in polite
society. While in mourning, your attire
was expected to follow the latest silhouettes, the most luxurious fabrics you
could afford and properly timed colors.
Of course, those colors were mostly black, but after a time, they might
evolve to purple, mauve and grey.
New Yorkers
are already known for the dominance of black in their wardrobe. The fashion set claims that black is
slimming. This turned out to be quite
practical for new widows, as the silhouettes and colors worn during the mourning
period were both flattering and signaled to the rest of society that she was eligible
again.
In addition
to the clothing on display, there were a lot of historical fashion plates (illustrations)and
publications that documented the current trends of mourning styles that were de
rigueur (mortis? Haha.)
I particularly loved the mourning
jewelry. There were intricate rings,
brooches and necklaces that were embossed with family emblems, tiny photos or
finely braided hair of the deceased.
Memento mori if you will. They
were so beautiful; they would make fantastic statement jewelry for contemporary
fans.
The
merchandising for this exhibit was perfect.
There was a great selection of books ranging from the expected academic mourning
attire and artwork to the whimsical, macabre work of Edward Gorey. Variations on the mourning jewelry were
offered for the fashion fans.
The exhibit will be available at the Metropolitan Museum of Art until
February 1, 2015. There is also a
lecture, Women
in Black: Fashioning Mourning in the 19th Century, on Friday, November 21, 2014 at the museum if you want to experience it in depth.
photos by Mariana Leung
photos by Mariana Leung
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